My name is Holly and I am a Tatty Devine addict. It has been several weeks since my last purchase.
I was fully aware that over the last ten years or so I’d amassed a fairly large number of pieces thanks to gifts, my own indulgences, sample sales and a few friends in the right places but I hadn’t realised *quite* how much I had until I decided to take a quick snap of it all for the #TD15 celebration (I say quick snap but it took nearly two hours to set up once I’d retrieved all the pieces from the various jewellery boxes they all normally live in). When I tweeted the photo, comments included ‘wow and ‘holy shit’ and it was at this point that the full scale of my ‘problem’ (and it’s a lovely problem to have) began to dawn…
As part of my ‘TD Addict 12 Step Programme’ and as a big ‘happy birthday’ to all things Tatty, I thought I’d talk you through a few of my favourite pieces from my collection (I had thought about choosing 15 but no one needs to read that much of my witterings!).
Like a lot of people, my first introduction to TD was via their bespoke Name Necklace service and it took me ages to decide on what font/ colour/ charm combo I wanted (the choices have expanded even more in recent years just to make it even more difficult!) before finally settling on ‘billboard’ in ‘bright pink’ with a lightning bolt charm in ‘matt gold’ on a sterling silver chain (an option they sadly no longer seem to offer). I remember counting down the days until the necklace was ready (as each necklace can take up to two weeks) and then impatiently waiting for the postman to deliver the pink and white envelope of joy. I loved my necklace so much that I also bought my sister one in the reverse colour way for her 18th birthday! Over the years I’ve acquired a few more name necklaces, including one blatantly copied from those worn by Girls Aloud in the video for ‘Biology’ as well as what to me, also counts as a ‘name’ necklace – the two small holly leaves from a Christmas collection a few years ago.
From the first piece of TD I ever owned, to the first piece of TD I bought in their iconic Brick Lane shop. As an occasional London visitor, I’d been to Brick Lane before to scour the vintage shops but I’d never quite managed to figure out where Tatty Devine’s original shop was located. On my next visit, armed with a map and a vague sense of direction, I finally stumbled across it and rewarded myself with not only an epic chat with the amazing girls who worked there (and who quite happily talked me through all the pieces they had in stock) but also with this amazing tiger necklace (and maybe a few other pieces) which I’d been eyeing up for a while. As statement necklaces go, it’s grrreat!
For some reason, I’ve always preferred Tatty’s A/W offerings over their S/S ones (maybe I just tend to wear more jewellery in the winter months) and, whilst I loved their A/W11 collection, in my opinion their A/W12 collection is the strongest they’ve ever produced and marked the moment when the brand went from ‘cult and kitsch’ to ‘holy shit these pieces are take your breath away beautiful!’. Although at the statement necklace end of the collection some pieces pushed the £300+ mark, the sheer brilliance and intricacy of the paisley multi-necklaces showed that Perspex could be more than just cheap and cheerful and meant that Tatty Devine purchases could be justified as ‘investment pieces’… Whilst my budget sadly didn’t stretch to the mega jewelled paisley necklace, I did pick up the smaller multi-version as well as quite a few other bits from the collection (thank goodness for seasonal and sample sales!) which are amongst my most worn items.
One of the things that sets Tatty Devine aside from their competitors is the sheer number of people tripping over themselves to collaborate with them. In my collection I’ve got pieces from collaborations with Belle & Sebastian, Camera Obscura, Eley Kishimoto and Jean Paul Gaultier and TD have also worked with Peaches, Robots In Disguise, Gilbert & George, Rob Ryan, Disney, Louise Gray and the London Transport Museum to name just a few! Of all their collaborations however, I think my favourite one has got to be the dagger necklace they produced for Charlotte Olympia’s A/W11 collection ‘To Die For’ which was based around Agatha Christie and the Golden Age of crime fiction (and was also the debut outing for the now iconic ‘kitty’ shoes). Aside from fashion, I’m a massive book geek and in particular crime fiction so anything that combines the two goes straight to the top of my ‘must have’ list, even more so if it also has the words ‘limited addition’ attached. As the necklace was included in the goodie bags for those attending the launch of the collection, I had to use the Dark Arts to get my hands on one but it was well worth the effort. I’m now on a quest to track down the mermaid necklace that was produced for CO’s S/S12 ‘Sirens’ collection…
One thing that Tatty Devine do well are statement necklaces but as I’m not the biggest of frames, some of their amazing creations are just a little *too* big for me to wear. Thankfully, as the above multi-strand bunting necklace is made up of smaller pieces, it hangs a long better on me than a lot of their other big necklaces I’ve tried on (although I do run the risk of getting it caught in the shredder when I wear it to work!). I initially spotted it during my first trip to their Brick Lane store but it was sadly out of my price range so I had to settle for the smaller version which has had a lot of wear over the years. Thankfully, the larger version finally came into my possession last year thanks yet again to the joys of ebay stalking so it’s no longer ‘the one that got away’.
My final picks include one of the newest and one of the oldest pieces from my collection. I possibly spend far too much time browsing fashion blogs on the internet so when a couple of these a few years ago mentioned that a TD ‘Charm Club’ was going to be launching I got *very* excited! Sadly, said club never materialised (which is a shame as it would have been brilliant: club + jewellery = WIN) but a revised version of the bespoke charm service was launched just before Christmas at TD’s Birmingham and London Selfridges concessions (but annoyingly not at the Manchester one or online!) and so on my pre-birthday London trip last December I made sure I popped in. I went for the maximum number of charms allowed as I figured I could always swap the selection about and if I really want to mix things up a bit, I can always add in the little pair of sterling silver shoes which I’m pretty sure are the oldest piece in my collection and took a lot of tracking down.
I hope you’ve enjoyed have a closer look at some of my collection and much as I’d like to say my addiction is cured, I’ve currently got my eye on one or two pieces from the new collections including the Pink Poodle Necklace and the Cocktail Umbrella Necklace from their 15th birthday collection. Oh well…
I do realise I’ve been a shockingly lazy blogger over the last few weeks. I’m blaming a combination of a very busy period at work and weather so chilly that all I want to do when I get home is curl up on the sofa in PJs and a blanket with a stack of magazines. Bliss! When the weather starts turning wintery I have a habit of doing very little but laze on weekends which means on weeknights I try to cram in as much as possible. Whilst late night shopping has long been a feature of our lives, those wanting cultural rather than retail evening pursuits generally only had theatre, film or gigs to choose between. Thankfully several art galleries and museums have noticed this gap in the cultural market and have started offering later opening hours to catch those of us who work all week and don’t fancy facing the crowds at weekends or rush round exhibitions during lunch breaks.
Manchester’s Art Gallery runs a ‘Thursday Lates’ scheme with the gallery staying open until 9pm and giving you the opportunity to enjoy a glass of wine, explore the exhibits and catch one of the talks or live music performances which are often a feature of the evenings. The Art Gallery is currently exhibiting Grayson Perry’s series of tapestries The Vanity Of Small Differences and I headed there a couple of Thursdays ago to view them.
‘The Vanity Of Small Differences’ comprises of six tapestries which are loosely based on A Rake’s Progress by William Hogarth and were inspired by Grayson’s Channel 4 documentary In The Best Possible Taste which focused on class and British life. I’ve been an admirer of Grayson’s work for a long time as I love the way he takes traditional forms of art such as pottery or tapestry and subverts them to offer social commentary. The grotesque humour often found in his pieces juxtaposes brilliantly with their delicate intricacy and to see them up close is visually stunning. The exhibition is part of a wider national tour supported by The Art Fund and I’m so glad I didn’t have to trek to London to see them! The full tour dates are below and I definitely recommend checking them out!
◾ 14 February – 11 May 2014: Birmingham Museum and Art Gallery
◾ May – August 2014: Walker Art Gallery
◾ 1 August – 1 October 2014: Leeds City Art Gallery