I think it’s been established thanks to my previous lust post that I’m a big admirer of Saint Laurent since Hedi Slimane took the helm. Saint Laurent’s SS15 collection was amongst the numerous ones to channel the 70s trend which has dominated the catwalks over the last few Fashion Weeks and has been responsible, along with a desire to dress like Sydney in American Hustle, for the contents of my wardrobe seeing a 300% increase in lurex, polyester and other no doubt highly flammable fabrics.
The other thing I love about the current Saint Laurent collections is that they’re also very easy to pay homage to on a budget. Now, this might not be considered a positive attribute for a certain designer or fashion house and it has made me think whether what I actually admire is Slimane’s ability to style his pieces rather than the pieces themselves. Yes of course they’re beautifully cut, use some gorgeous fabrics and a large part of the price tag is the ‘concept’ behind them but, being lucky enough to own a couple of pieces bought when sale prices have been slashed to ridiculous amounts, if I swapped the label for one that said ‘Topshop’ I’d challenge you to tell the difference. On the other hand, every season I lust after Miuccia Prada’s designs viewing them as exquisite works of art that, unless I can afford to purchase the real thing, I will never manage to convincingly emulate on a budget and any pieces I may end up owning will be treasured forever as relics of fashion history. Fundamentally, being a Saint Laurent girl is an attainable goal should you wish it. Being a Prada or Miu Miu girl is something to aspire to. Style versus substance in the most basic terms?
Fashion philosophising aside, having been a teenage fan of Pulp and Manic Street Preachers my wardrobe consists of enough glittery tops, velvet blazers and assorted accessories gathered from charity shops to be able create my own version of Slimane’s ‘Studio 54’ look. The top came from Peacocks many moons ago and sat languishing at the bottom of a drawer until I recently rediscovered it, deciding it was the perfect accompaniment to the vintage 70s denim hot pants that used to belong to my very stylish mum.
I think my favourite bit of the outfit however are the accessories. The leather and metal buckle belt is a charity shop find that I’ve worn so much as it goes with everything that I now live in fear of either 1) losing it or 2) wearing it so much it falls to pieces. The shoes are a recent sale purchase from Yoox and were created by the ‘Rock n Roll Cobbler of the 1970s’ Terry De Havilland for Anya Hindmarch’s AW12 collection and come packaged so amazingly that they will no doubt get their own blog post soon (it’s completely acceptable to buy shoes on the strength of packaging alone isn’t it?!). The necklace, another sale purchase, is part of Alex Monroe’s exclusive ‘Verity’ collection for ASOS and adds a finishing touch of sparkle.
Sadly Manchester is just a bit too cold of an evening for me to ditch the 50 denier opaques in favour of oh so fashionable sheers as I dance off into the night in search of the North West’s answer to Studio 54 but hey, there’s always room for improvement…
One day I will show restraint when it comes to jewellery (especially with a significant birthday AND Christmas coming up) but when I set eyes on this fantastic Katie Mullally Peg Charm necklace I couldn’t wait to add it to my collection! I’ve actually been lusting over it for the best part of a year since seeing it on Fashion For Lunch’s ever stylish blog so I’m thrilled it’s finally mine.
Although the size of my collection may suggest otherwise, I’m actually very picky when it comes to jewellery and if I’m going to spend money on a piece, I want something that not only looks amazing but is also going to last. Whilst it was the quirkiness of the designs which first attracted me to Katie’s work (the Peg Charm has ‘cult status’ written all over it, move over Alex Monroe’s Bumblebee!) there’s also a clear commitment for British made quality and craftsmanship.
Katie started out working in her grandmother’s antiques business and it was there that she found her passion for silver and hallmarking. Thanks to being from Sheffield (which is one of the four remaining Assay Offices in the UK) and having watched countless episodes of ‘Antiques Roadshow’ on Sunday afternoons at my granny’s, I’ve always been aware of the importance of hallmarking precious metals as it not only helps to tell the history of a piece but it also gives an assurance as to the quality of the item. Even though legally silver only needs hallmarking if it weighs over 7.78g, all of Katie’s quirky sterling silver charms are fully hallmarked (complete with her own individual ‘KMM’ Sponsor’s Mark) which I think makes the pieces that little bit extra special.
All of Katie’s charms come in sterling silver or 22.5 carat gold-plate and can be worn individually or with several at once depending on your mood. Although my silver peg is flying solo at the moment, I’ve got my eye on these Ammonite and Whistle charms so hopefully it won’t be that way for long! I’m also tempted to get in the festive mood with this limited edition Christmas Wreath but I’d should probably save my pennies and start my Christmas shopping for other people…